The Christmas Books

Being: A Christmas Carol; The Chimes; The Cricket on the Hearth; The Battle of Life; The Haunted Man and the Ghost Bargain

DICKENS, Charles

DICKENS, Charles The Christmas Books Being: A Christmas Carol; The Chimes; The Cricket on the Hearth; The Battle of Life; The Haunted Man and the Ghost Bargain

Chapman & Hall, 1843.

Five volumes, all first editions, all in original cloth with decorative stamping in blind and gilt. Each volume with a number of steel engraved plates by various artists including, Maclise, Leech, Lanseer, Tenniel and Richard Doyle. All in excellent, unrepaired condition, as follows: THE CHRISTMAS CAROL Chapman & Hall, 1843 First edition, first issue with 'STAVE I' on page [1]. Original red-brown cloth with gilt vignettes on upper cover and spine and blind stamped border. Green end papers and a blue and red title page dated 1843. All edges gilt. Four hand coloured plates by John Leech. A very good copy indeed, slightly cocked, but with bright cloth and gilt. Minor wear to the base of the spine and a short split to the rear joint at the head of the spine. An excellent copy. THE CHIMES Chapman & Hall, 1845 First edition, first state of engraved title page. Original red cloth with gilt vignette on upper cover, all edges gilt. A near fine copy, bright and clean with a trace of wear to the spine ends and slightly tender hinges. THE CRICKET ON THE HEARTH Bradbury & Evans, 1846 First edition, with the terminal advert for Oliver Twist in the first state. Original red cloth with gilt lettering and vignettes. All edges gilt. A near fine copy with a trace of wear to the spine ends and a little glue residue to the verso of the frontispiece. THE BATTLE OF LIFE Bradbury & Evans, 1846 First edition. Engraved title page in the fourth state as usual. Original red cloth with titles and vignettes in gilt. A near fine copy with just a little wear to the corner at the head of the spine. THE HAUNTED MAN AND THE GHOST'S BARGAIN Bradbury & Evans, 1848 First edition. Original red cloth with titles and vignettes in gilt. A near fine copy with a couple of small ink marks to the upper edge of the front board.

Dickens completed writing the Christmas Carol in November 1843 and was determined to produce it as a beautiful gift book. He stipulated that it should have a fancy binding, all edges gilt and four full page hand coloured etchings. He asked for the title page to be printed in red and green and to have matching hand coloured green endpapers. Once the first copies had been produced thus Dickens found, to his disappointment, that the title page colours looked drab and the chalky endpapers smudged and colour dusted off. He then decided to change the title page to red and blue printing and to make the endpapers yellow, these did not need to be hand coloured and thus had more durability. Together with these changes was an amendment to the date on the title page from 1844 to 1843 as the book was for Christmas of the latter year. So it was that copies with yellow endpapers and red and blue titles met with the author's approval and were the ones prepared for publication day. The order in which copies were bound up for sale is impossible to determine and is a matter for conjecture as all three main variants (green end papers, red and green title; green end papers, red and blue title; yellow end papers, red and blue title) were available on publication day and the publishers would use whatever was to hand. Copies with green endpapers are more uncommon than those with yellow.
The book was an instant success, reportedly selling all 6000 copies of the first edition on the first day of publication, almost single-handedly spawning a new genre of "Christmas literature". Buoyed by his success, Dickens wrote a further four Christmas stories each seeking to strike a blow for the poor, uneducated and repressed, but imbuing his message with characteristic humour and good cheer. All were well received and sold well, though it is A Christmas Carol which has best stood the test of time.
"it is rather as if Dickens had rewritten a religious tract and filled it both with his own memories and with all the concerns of the period. He had, in other words, created a modern fairy story. And so it has remained." - Peter Ackroyd (Dickens)

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